Jim Gish was raised in Western Kentucky by parents who had 8th grade educations.

He has been a career English teacher and adjunct Psychology college faculty member for 39 years. His writing heroes are Faulkner, Eudora Welty and Reynolds Price. He has just finished a novel entitled At The Edge of Hymns. He has published in Litchfield Review, Phoebe, and The McGuffin. He considers himself a Southern writer and loves the beauty of language, as in the poetry of Dylan Thomas.

 

Gish says: "This story started as an image of an old man and his dog standing by the barn listening to the screeching of tires just before an accident. It become a meditation on mortality and redemption."

 

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Sleeping Without Dreams

by Jim Gish

       Winner of the 2010 Nisqually Prize for Fiction

                              Final Judge, Pia Ehrhardt

 

I was coming up out of the woods with Buster back near that giant squirrel tree my Daddy used to guard with such vigilance.  First I heard the brakes begin to squeal, and I stopped in my tracks and said a quick prayer.

     “Dear Jesus, save ‘em,” is about all I could get out before the sound got even more metallic, and then there was that awful thud which I did not have to be told was the sound of a speeding automobile hitting something it was not likely to move, one of them giant oak trees down there in that S-shaped curve which leads down toward that bridge over Turtle Creek.

     Then I was running as fast as an old, fat man can run.  Buster was scampering right along with me, like maybe he thought I had recovered some of my old fire and we were racing for the barn the way we may have done when he was a pup. I cut straight across that dry slough bed and then hit the blacktop just where it goes into the beginning of the curve and zigzags down hill toward the bridge.  That was where I saw the start of the black traces where somebody had jammed on the brakes.

     It is called the Widow’s Curve by all the old timers because between 1940 when cars finally got common around Barlow and the end of the ’70s, this hill and curve and bridge claimed fourteen lives. The county engineers have done everything short of putting up flashing signs that say “Don’t die here, idiot,” but it has not helped.  Most folks here abouts understand how it happens since Widow’s Curve is at the end of a long stretch of open pavement that begs teenage boys and drunks and fools of every stripe to “Try their wheels” or “Get top end” as we said in the ’60s when I drove these roads. 

     “You fall in love with the speed so much,” Billy  McCorkle used to say, “and by the time you see the start of the curve , you are nearly half way to the morgue before you can think to brake.”

     When I cleared the first curve, sweating like a pig, hearing my breath wheezing like billows, I saw the black marks headed off the road.  The tar bubbles were popping under my feet. The August air smelled alternately sweet with honeysuckle and then rank with the foulness of road kill.

     “Oh God , Buster,” I whispered  when I saw that little red Mustang all piled into a rubble against that giant sweet gum tree that has been there since I was a child.

     When I was within a hundred feet, I smelled the gasoline, and I heard somebody crying, moaning inside.  I tried  to put on a burst of speed, but then I felt my heart in my throat and thought  I won't be helping anybody by dying before I get there, some blubbery whale of a man with wild white hair and a florid face lying there, staring up from the mud and weeds.

     I heard a truck coming up behind me, and I angled over into the ditch, watching out for Buster who had run ahead now and was standing next to that bright chrome bumper with a sticker which said Pearl Jam.

     “Mama,” someone called from inside the wrecked auto.

     “I’m coming!” I called out, even realizing then how empty that was to whatever poor soul was wrestled together in those struts of steel and glass.

     “Lester!” I heard someone behind me.

     I turned as I ran and saw Misty Ann Wallace four steps behind me, her new Dodge Ram parked sideways in a turn off which led into my bottoms corn field.

     “It just happened, Misty Ann. You got one of them cell phones? I’ll see what I can do.”

     I glanced back and she was running back for her truck to call the highway patrol or the sheriff.  I was within five feet of that car, and then I was upon it, looking into that accordionized smash up, smelling the beer already along with the gasoline.

     There was a boy no more than nineteen, his head at an odd angle.

     It looked like the Heppler boy, Donnie, the one they said was going to UK on a full baseball scholarship before he dived off that barge drunker than a hoot owl and ruined all them chances with a broken arm and a dislocated shoulder and maybe one fourth of his IQ left on that rock he hit in eight feet of green, muddy water.

     Then I heard Misty Ann’s footsteps close by and saw her in my peripheral vision as I stood there, looking in, like some voyeur of grief and pain, worthless as a pup.

     “That’s Donnie,” Misty Ann said. “And I bet that other slash of color over there is Theresa Morton.  I know they been dating.”

     Slash of color was what she was, okay. Orange fabric and dark hair all jammed down into a spot under that crushed roof no bigger than a laundry basket. Blood everywhere like a slaughter house.

     “You called?” I looked at Misty.

     She nodded yes and then got down on her knees and was talking to Theresa Morton who was gibbering something that sounded like a prayer, what better be a prayer I thought, considering how much time she might have.

     I knew if it was my own kin, I would have tried to pull them out, and I hated that I cowered there, the product of tv’s vivid imagination, that in moving these nearly dead children, I might pinch some spine or do some damage so that six months from now my house and farm would be gone while I fought a law suit and looked at some wheelchair-bound creature, all dark eyes and glare.

     I finally wedged my hands under Donnie Heppler’s shoulders and pulled a little, but he was stuck tight, what with the metal frame and the steering wheel and the motor all trying to converge there in his lap.  I heard the whine of the siren and knew that the rescue unit was not five minutes away.  Then I saw that damn pint whiskey bottle, one of them little plastic pints they have started selling since I quit drinking my own self.  I glanced once at Misty Ann and reached back, grabbed that pint still half full and slid it down into my baggy pants pocket.

     What I was thinking is that this child has gone and bought himself enough sorrow for most of a lifetime just with what you could see.  He doesn’t need any more nails in this cross right now.

     Then I sauntered back up the road, my eyes down like I was inspecting the tire tracks again, and one hundred yards back I tossed that bottle down a trash embankment where the trailer park people throw their Hefty bags late at night when their garbage cans are full or else somebody’s mother-in-law is coming to visit and they aim to hide all the beer bottles.  Tricks of the trade which I am familiar with, sad to say.

           

Forty minutes later, the rescue unit was gone.  Maynard Ultley said the boy was stone cold dead, and the girl was dying.

     “It don’t make sense, Maynard,” I said, “old stupid, useless farts like us still sucking wind when we spent half our foolish lives drinking and driving.  And these two kids with everything there in front of them, all of it canceled in half a minute.”
     He looked at me and agreed.

     “It ain’t fair, Lester.  I guess we was just lucky, or maybe it was Miss Mary’s prayers all these years later, hanging in the air over us like some kind of blinders she put on God so he’d just keep taking people to the left and right but never us.”

     “Maybe so,” I told him.

     I hugged Misty Ann while she cried. She knew the Morton girl through church and the Heppler boy’s mother was a third cousin.

     “I am going home,” she told me, pulling loose, patting my arm the way I think you do when there are no more words.

     Northrup Layton, that big Swede of a state patrolman, parked his car sideways and called in his tech people.  They crawled around everywhere, measuring things.  Bo Evers came out with his wrecker and loaded that Mustang onto a flat bed and told Northrup he’d leave it there behind his place until all the evidence had been collected.

     By the time I was ready to go home and lay down in my hammock and start in trying to forget it, I saw Glenn Heppler’s black Ford pickup. He pulled into a ditch and walked the road back and forth three times, right past me without a word.  Then as he stood there by that sweet gum tree with that fresh cut where the sap ran, he lifted his head and let out a cry which was half sorrow and half rage, like he had seen enough sad, dreary things to get his fill.  Like he might kill anybody that said “Boo” or maybe just kill himself and get that thing done so he wouldn’t have to get any more phone calls like this one today.

     I guessed that Wanda, his wife, was at the hospital, laying over on that gurney, crying and praying and pleading for her child to rise and walk.  But he wasn’t never going to do that anymore, not until Judgment Day, and the way I read the book then it would be more like a joyful jig.

     “Glenn,” I said when he walked past me, but he held up one hand for a second and never looked at me. Just didn’t want a word, and I understood that nothing I said or did not say was going to multiply or subtract from the sorrow that was throttling him with dark, hard waves.

            When I walked back up the road, meaning to cross the slough and go home, I found Buster waiting for me beside a dead stump.  It was like he had taken up a vigil and knew to stay out of the way. Then I saw that plastic bottle of whiskey on the ground in front of him. I leaned down and picked it up and slipped it in my pocket. I glanced back to see the troopers, but they were knotted together, working on the whole damn thing just like it was a geometry problem.  That was okay, I guessed. If you were a man who made his living cleaning up after other people’s bad mistakes, making it a geometry problem was just a way to distance yourself so you couldn’t take it home every day like a big bag of rocks which just got bigger and bigger until there was no way to drag them an inch further.

 

I went inside and put that whiskey bottle up on a shelf behind some cans of tuna fish.  Then I took me a glass of lemonade out to my hammock and lay there for a couple of hours, talking to Louella, dead now these five years.  I told her what I had found, and I told her what I had hidden in the cabinet. She seemed to think that was all right. Buster came to lick my hand once, and then he went to lay under that shrub next to the hose roped around that metal spool.

     I never meant to nap, and it ain’t something I do much. Most nights I am in bed and sawing logs by nine-thirty and then up again by five-thirty.  I just got in a habit when I was farming and working full time for the state, driving the tractor to mow the right of way on the interstates.  But that evening, I slipped right away in between a couple of thoughts I had. I dreamed that Donnie Heppler came to me, and he seemed reluctant, timid, not the way you would expect Donnie Heppler to be, since I don’t remember him that way at all.  Still, he came walking out from around the house, his face all hang dog, and he looked like a man who was going to ask you for a giant favor that he already knew he did not deserve.

     “Lester?” He spoke like he knew he was waking me up.

     “Yes, sir,” I said to him, looking up from where I lay.

     “Can you do something for me?” he asked, and it sounded like a simple request, maybe make a phone call, lend him a dollar for gas.

     “I might could try,” I told him.

     “It is something you won’t want to do,” he warned me.

     “I could still hear about it,” I said. “I might not do it, anyway.”

     “Could you take a post hole digger and hide that whiskey forever?”

     “It might not be forever,” I told him. “But I will do it if you say so.”
     “Then would you go down to that tree and pray?”

     “I don't pray much,” I told him. “I sort of give up on prayer when my girl died.”

     He stood there like the asking had weighted him down.  And I lay there, like I was waiting to wake up or waiting for his request to make sense. I thought of Louella and how she would maybe want me to do it.

     My daughter, Martha Fay, drowned twenty years ago in Barker’s Eddy. Just her and six girls out on a Sunday swim, listening to the radio and giggling and teasing each other. Martha Fay could swim like an eel, but Barker’s Eddy is a vicious, old fisherman, and it took her down, never mind all her friends crying and screaming on the shore. When Louella died, she was no more than a husk, and that left me a dry bone of an old man going through the motions.

     “Who will that help?” I finally asked him.

     “It might help her,” Donnie said. “She is still hanging on.”

 

When I woke up, that dream was so real that I twisted my neck trying to find Donnie Heppler somewhere so I could talk to him about it.  But he wasn't there, of course, or not there anymore. I went in and drank a cup of coffee, and I went out and sat on my porch, watched those people come by, curious, looking at that damn tree like that would explain something to them.

     Donnie Heppler was right there in my brain, his voice just as ordinary as old paint, still telling me. 

     Then I was on my feet, and a second later, I was taking that whiskey bottle down and wondering to myself why I had picked it up and why Buster had retrieved it if it was not for this.  Even while I was digging that hole, I was marveling over my foolishness and wondering why I needed to do this to make the equation come out even. 

     Feed the doom beast, Lester, my brain told me. Do it and don't analyze it. You was never any good at that.

     I finished burying that pint right there next to the chicken house, and then I tamped the dirt down with a hoe. I walked back in the house and stood there by that open window, looking out to where the sky had gone pearly gray with dusk.

     I didn't feel like praying. Didn’t think I would know what to say. Who cared? I was just a crazy old man who decided to believe in his dreams. If I went to bed now and lay up there, talking to myself, I could call it the same thing.

     “But it ain’t the same, Lester,” Louella said, her voice stern like the Sunday school teacher she was for twenty-seven years.

     “No,” I admitted.

     I fumbled my keys out of that old cracked blue cup with the pink rose on it, and then I thought that was silly to drive down there to that gum tree when I could walk down just as easy. I went out the back door, heard that screen door slam behind me, flat and certain.

     I went like I had gone earlier in the day, down across the field and through the dry slough and then along the margin of the road.  I half expected Billy Heppler to be there waiting, his eyes full of gravity and some kind of clear understanding I had never seen in them while he lived.

     I knelt down in front of that tree and I hunted for the words.

     If I was going to do it, I wanted it to be fine words that summed up the blasted dreams she would take with her if she died. I wanted to tell God that it wasn’t fair to cut that boy off in the bloom of youth. I wanted it to be a poem, but it never came out that way.

     “Help that little girl,” I strangled out. “She never asked for this.”

     Aware even when I said it that most of us don’t ask for what we get, and the wind blows, and we are lashed to the mast, taking what comes, trying to juggle it out into some kind of sense.

     I got up and walked back toward my house in the darkness. A couple of cars passed, and two of them blew their horns. I waved, although I couldn’t tell who it was.  One hit his brake lights, and I knew somebody was going to come back and ask me how it happened, so I walked down through the ditch and was lost in those trees by the time they backed up to find me.

     In bed that night, half a minute from sleep, Louella came to me and said, “It was good. You done what was needed.”

     I nodded to her, and she kissed her hand and put it on my head.

     “You might be a whole man yet,” she told me with a smile.

     “Don’t hold your breath, old woman,” I said.

     “No, I won’t do that,” she told me.

     Then she faded out, and I was just in that empty room. And I slept without dreams.

 

 

Judge's comments: I chose Sleeping Without Dreams because it's flat out great storytelling. The story starts with a bang. The writer gives us a car wreck, a bruised narrator with an authentic voice, a problem that insists he look it in the eye, and a decision that will live on even after the story's over. The work's got gravity, moral complexity, decency and heart. I loved it.

 

 

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