Nicole Callihan writes poems, stories and essays. She was named Best of the Web 2009 and was Notable Reading for Best American Nonrequired Reading. Days, she teaches at NYU and in schools and hospitals throughout the city; nights, she returns to Brooklyn where she lives with her husband and daughter.   

 

Callihan says: "I wrote this essay right after my daughter was born when I was trying to negotiate a new mother state-of-mind with going back to work teaching poetry to autistic children. Somewhere between hug machines, jokes about bananas and lots of raspberries, I managed to find my way."

 

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Notes Toward: Babies, Bananas, Boxes

by Nicole Callihan

 

“…for Temple, clearly, there is a continuum of experience extending from the animal to the spiritual, from the bovine to the transcendent.”

               —Oliver Sacks on animal scientist & autistic Temple Grandin

 

The blinds are closed, and I’m staring at a picture of my infant daughter. La Leche League websites tell you to do this; low light, soft music, flattering photograph. If you can hear the baby crying in the background, it’s even better. The letdown will be strong, the milk, plentiful.

     I’ve fashioned a corset out of an old sports bra, and the plastic cones attached to the plastic tubes attached to the sturdy square machine make me feel more bovine than mother. I conjure Eva’s cry and watch the milk spray into the bottles, hardly even three ounces; I conjure it again and then it becomes real. Eva is crying—upstairs in her crib—crying because she’s hungry, and I can’t go to her because I’m attached to a machine that takes the milk from me so she won’t be hungry later when I have to leave her, when I will label the sanitized bottles with a Sharpee and give explicit instructions to the nanny about peas and naps and pooping, when I will make the forty minute drive to Staten Island to teach twenty autistic children between the ages of eleven and thirteen, when I will get to the children and they will look at me—or not look at me—and I will think about French toast or getting pregnant again or a boyfriend I had in college or whether or not Eva is normal or if I have time to run into the Gap at the Staten Island mall.

     “Honey!” I yell to my husband. “Can you get her? I’m pumping.”

 

II. Five years ago

 

My mother picks up a banana and holds it to her ear. There is (of course) sun coming through the windows because my mother is the kind of woman who is more often than not recollected in sunlight. We’re standing in her kitchen, a beautiful kitchen, one she’s worked hard for, one she earned after dropping out of tenth grade to marry my dad and have my brother and me; after ditching a shift at the Weiner King to take her G.E.D. test then finagling her way into college because she wanted to be a P.E. teacher; after falling so in love with Biology that she decided to go to med school, decided to spend the next thirty or so years working sixty hours a week in the E.R.; after saving so many lives that come Christmas time we get innumerable fruit baskets with red-and-green-inked Thanks for giving me another year with my grandchildren notes. By the time we are standing in the kitchen, she has five children, and we are all standing around her, a willing audience. By this time she has also had: four husbands, four dogs, ten ducks, three fish, six gerbils and at least two guinea pigs. I am thirty and have only had a fish but even the fish wasn’t really mine, just a fish an old roommate left, a fish that died not too long after the old roommate left.

     “Banana,” she says into the piece of fruit. “Banana?” she says louder. “I mean, uhm, Yell-o!”

      I laugh; we all laugh.

 

III. Hugs & Kisses

 

In 1947, Temple Grandin, now a famed animal scientist and easily the most renowned autistic person in the world, was born in Boston. At age two, she was labeled as brain damaged; at age four, the label was narrowed to autistic and her parents were told to institutionalize her. Suffering from severe Sensory Integration Disorder, at age 18 Grandin invented a squeeze-box, or hug-machine, that helped her self-soothe and thus cope with outside stimulus (imagine being bear-hugged by your mother for thirty uninterrupted minutes). Grandin later used this same principle to promote more humane practices in the handling of animals: the animals, “hugged,” would be calmer as they went in for slaughter; calmer animals result in more tender meat.

     Most mornings, I bury my nose in Eva’s neck and get lost in the smell of her (apples, yogurt, lavender), and I kiss her and kiss her and worry (only slightly) that maybe you’re not supposed to kiss their necks and bellies, at least not with such tenderness and love, that maybe this will send them to therapy. “Mama,” I say and point to myself [kiss, kiss, kiss]; “Eva,” I say and point to her [kiss, kiss, kiss]. Mama, Eva; Eva, Mama: this is what the books tell me to do; at this age pronouns are incomprehensible.

 

V. Sutures

 

My mother calls. She has dreamed that she has stomach cancer. “But worse,” she says. “I can’t open my Diet Coke.”

     Barring the Diet Dr Pepper kick she went on in the ‘90’s, my mother’s refrigerator has always been stocked with Diet Coke. If it can’t be cured with a Diet Coke, she seems to believe, then it can’t be cured.

     “My thumbs,” she says. “It hurts too bad.” I already know what she means. Her arthritis: hereditary, early onset, severe. I’ve never dared to ask what this means for her work. I think of thread pulled through needle pulled through skin, how agile and delicate one’s hands must be to pull thread through a stranger’s skin. “You’ll get it too, she says. “I’m sorry.”

 

VI. Yesterday

 

When I got to the school on Staten Island, Matthew was drawing a picture of a clown and Kyrillos was chewing on a baby doll. Rachel sat in a corner with her hands over her ears, and on seeing me, said over and over, “I hate poetry.”

     “Aw, Rach,” I said. “Sometimes I hate poetry too. Come on over anyway. Today we’re just going to talk about dreams.”

     Courtney cried for her mother, and I thought of Eva, of the game I play with her in the moments before I leave, how I wave goodbye and go around the corner, then peek back around and say, “Hi sweetie. I’m back. Mama’s back! Mama always comes back!” Courtney yells more, and I want us all to pile up on the floor and just hug and scream and cry until we fall asleep, but I am the teacher, so I say, “Dreams by Langston Hughes,” and the clouds crawl across the windows, and the chairs scrape against the floor.

 

VII. Pictures

 

According to Grandin, autistic people think in pictures, and their thinking is associative rather than logical. Grandin says that when she hears the word happiness she gets a picture of French toast in her mind. I read about her online while I pump. If the letdown seems too deficient, I minimize the screen and stare at Eva’s image stuck in time at the bottom of a silver slide.

     I think about French toast and my own mind, how it’s never seemed quite logical, how it trips and slips and turns a hug machine into a pump into the silver of the slide and then there are notes, Notes Toward Something, I call them:

     The hot sun.

     A bowl of spaghetti.

     Self-soothing. (Here, I wonder if I should let Eva cry herself to sleep at night, if it would make me a better mother, make her a better, smarter child.)

     Raspberries.

     Pencils without wheels.

     Bananas without peels.

     The pump again. (Maybe Grandin could invent a more humane way of extracting milk from nursing mothers? I guess the baby itself—the one that’s crying upstairs—is the most humane way but maybe there’s something in the middle, something between baby and box.)

     Something between a fish and a bone.

     Between a blade and a wing.

     An apple and its skin.

 

VIII. Two Months Ago  

 

My brother calls. He is laughing. He has literally just slipped on a banana peel. “You always hear that they’re slippery,” he says, “but you never realize just how slippery until you’re ass-down in a parking lot with a broken bottle and a sprained thumb.”  

 

IX. My New Office

 

Before Eva was born, I thought it would be a good idea to keep my office in her room. I could write while she slept, I reasoned. Eight months later, I am in a sunny café up the street—a solarium of sorts—with fresh flowers on the table and a waitress who doesn’t seem too annoyed that I’ve spent the past four and a half hours nursing the same cup of decaf.

     Beside me, a woman dribbles honey on her whole wheat toast. Above me, a man power-washes the glass ceiling. I have waved at him twice. This is what I do: tear open packets of Splenda, bite the polish off my nails, text the $15 dollar-an-hour babysitter. Everything okay? I write. Let me know if she needs more milk. Will come home to feed her.

     I’m not teaching today but I’ve hired a babysitter anyway, and I feel guilty and free. The glass above me now glistens wet and clean, and I think of how my mother saves lives. To be away from your children to save lives seems reasonable; to be away to drink too much decaf and make lists of words seems questionable.

     Yell-o? Is anybody there? Yell-o?

 

X. The Squeeze Machine

           

Since Grandin’s invention of her squeeze machine, some sensory integration researchers have used it to help comfort autistic children. At first, children pull away from the pressure but gradually they learn that touching can feel good. Grandin writes lovingly about the machine, about its “softly padded neck opening” and its “soothing…gentle” pressure. To be so utterly contained for those few minutes affords Grandin the opportunity to function more peacefully throughout the day. What is essential, however, is that she is in complete control of the pressure applied; this is where the squeeze machine differs from the bear-hugging mother; this is where the squeeze machine is simply a machine.

 

XI. The Refrigerator Mother & Other Theories

 

Before Eva, when I worked from home I wandered to and from the refrigerator. My day looked a little like this: string cheese, fudgesicle, sentence, tortilla with melted cheese, sentence, chicken strip, carrot, delete sentence, chicken strip, frozen banana chunk, sentence, more string cheese, period, make that a semicolon, cracker, period. Having her changed all this. Now there are mashed plums and forgotten phrases, pureed sweet potatoes and drinkable yogurt, words that I don’t even remember to jot down and glass jars of strained peas; the fridge seems to be bursting from her seams. Since I can’t write I talk incessantly. Microwave, I say. Pears, father, feathers, elbow. Eva looks around as if trying to understand how each thing has been given a name and then tries to eat it.

     Our shadows fall behind us as we stand (she in my arms) in the glow of the tiny fridge light. Refrigerator, I say, Mother. We are deep in summer, and the cold feels good. But not A refrigerator mother, I tell her, and we laugh. I think I’m funny; she thinks it’s funny when I laugh.

     In his 1943 paper that first identified autism, Leo Kanner called attention to what he called a “noticeable lack of warmth” among parents of autistic children. In a 1960 interview he pushed the theory even further describing these parents as “defrosting just long enough to produce a child.” Thus was born the Refrigerator Mother Hypothesis. Kanner believed that because the children were rejected by their cold and distant mothers, they turned inward to “seek comfort in solitude” and thus became “autistic.”

 

     [Ah, to seek comfort in solitude; solitude in comfort; to crawl inside a squeeze machine; to be squeezed; to be machined; to have sought comfort; to have sought solitude; to have found them side-by-side in the crisper drawer.]

 

     There are other theories too: the vaccine theory trumpeted by funny-girl, ex-Playboy-bunny-cum-mother Jenny McCarthy, the cord-clamped-too-early theory, the poisons-in-the-milk-of-meat-eating-breastfeeders theory. There is also the Mahler theory in which the child is unable to differentiate from the mother, and thus, as described by Silvano Arieti, the “you remains a you” and is never “transformed into an I.” 

 

XII. Solids

 

For the first five months of her life, Eva consumed nothing but breast milk; this is what the pediatricians recommend. It was strange to stare at fourteen pounds of flesh and bone and blood and realize that I had grown her inside of me and that since she had come into the world she had survived on me completely. But then, of course, she got hungry. She wanted more. We started with rice cereal then gave her bananas which she never took to then avocado which she loves.

     When she was four and a half months old, we sat in an all-you-can-eat pizza place in North Carolina, and my brother tried to give her an ice cube. “What are you doing?” I said.

     “Ice,” he said. “Just touching it to her lips.”

     “But she’s never had anything,” I told him. It seemed silly to add “anything but me.”

     Months later, she’s had plenty but me, plenty of me too, it seems. I sit in the solarium, writing and deleting sentences, finishing soup and motioning for tea, and wait for the text that tells me Eva’s inconsolable that I MUST come home NOW, that even the pumped milk and drinkable yogurt will not quiet her, that only I will. It never comes, and so I do what I must: I take comfort in my solitude. I relish it. In hours, I will be back with her. It will be hard to remember this “I,” the one who sat in this almost too sunny room and penciled out her shopping list (bananas, she wrote), before finally—in that universal gesture known as asking for the check—she raised her hand and scribbled the air.

 

Editor's Note: Portions of this essay were first presented at the AWP conference in Denver 2010 and were subsequently published in Teachers & Writers Magazine.

 

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