Michelle Peñaloza grew up in Nashville, Tennessee. Currently, she is an MFA candidate in Creative Writing at the University of Oregon, where she also serves as Kidd Fellow for the Kidd Tutorials Program. Her poetry has appeared in Kartika Review, Mythium, Nashville Review and Lantern Review. She has work forthcoming in Birmingham Poetry Review and was recently awarded the 2011 Women Writers Fellowship by Oregon Literary Arts. 

 

Peñaloza says: "'This began with the gift of a prompt: “Make your own case for beauty.” Around the time I wrote this, I read about Pliny the Elder's notion of a sentry crane: as the other cranes slept, it held a stone in its claws. If the sentry fell asleep, the stone fell, awakening it."

 

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Case Study: Beauty

by Michelle Peñaloza

       Winner of the 2010 Duckabush Prize for Poetry

                              Final Judge, Rick Barot

   

A series of advances: echo upon echo upon echo.

And retreats: the plume of red that follows the hen.

 

Warm fingers on fogged glass,

fluent circles of concentric sound.

 

Novenas fallen from cathedral ceiling

like rain; a coy lover’s rising yes and no.

 

Velvet claret closing on the tongue—blackberries, port;

the opening of purple crocus in snow.

 

The quiet dust of flowers scattered on sepulchral floor.

Mushroom caps grown overnight, wide as the moon. 

 

Necessity: saffron thread and cinnamon coil,

cardamom pod, coriander bead; pyramids of spice.

 

Blood that keens across ocean to archipelago; songs

sent—on the wind, in the soil, by the sun—to the dead.

 

The space between constellation and myth.

The pearl of a word dropped from a weary tongue.

 

Momentary: the gently opening tamarind skin,

the lash of koi tail in dark water beneath lotus leaves. 

 

Salvific: a field guide to feeling.  Because a known face,

a face the color of sunned wind.  A scent—

 

verbena, mint, attar—lingers between forefinger and thumb.

Mirrored stairway of rice terraces, cordillera exposed by the moon;

 

when the line between sky and earth waits perforated,

to be torn or crossed, liminal as death or birth;

 

the path through a meadow filled with Queen Anne’s lace

and goldenrod leading to a river of white marble.

 

A purple martin hunts in a field at dusk,

the sky white bordered by a darker and darker blue.

 

A sentry crane wakes;

drops a stone from its claw: veracity.

 

 

Judges comments: “‘Case Study: Beauty’ has an ambitious breadth that the poet fills with unexpected and gorgeous textures.  Like an essay, the poem is in sure command of its ideas, even as it keeps a very keen gaze on the particulars that ravishingly exemplify those ideas.  The red plume of a hen, the skin of a tamarind, the meadow with white and gold flowers: the poem wants to encompass much of the world into itself.  Necessity, veracity, and beauty itself: the poem wants, just as much, to celebrate the elements of knowing that shape our vision.  “‘Case Study: Beauty’ sees, thinks, feels, and creates all at once.”

 

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